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This
means that the transcendence of these facts would be in their moral value,
which is what makes them strangers; functioning like myths in classical
cosmologies, grounding (historical) reality with its dramatic representation.
That makes sense, since cosmology is the hermeneutical spectrum of existential
reflection; with which the Being organizes its own determinations, for its own
realization as an entity, in its peculiar reality.
However,
we must not ignore this other problem —also factual— of the manipulation of
history; since that is determined here by the political elites, which in their
specialization generate their own interests. Not that it has ever been
otherwise, except for the time it explains the functional exceptionality of
democracy; sure that with the relativity of everything that’s real, preserving
as much as possible the balance of the individual as Being as social.
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In
either case, the archetype is always that of heroism, in which the Being is
realized by its moral supremacy; just that as a code of customs and conventional
on it, this is only another form of transcendentalism. In all cases, cosmology
stands out as the ontological referent, proper to the religious function;
corrupted in this specialization, by the infra/suprastructural function of
politics, which affects its reflexive effectiveness.
Beyond
this peculiarity, what stands out here is the manipulation of history,
affecting the realization of the Being; thus subordinated to those special
interests of the political class, which provides its existential reflection as
an ideology. In these cases this becomes evident, first by the
decharacterization of the characters of Aponte and Vesey; channeling above all the
political potential of their marginality, according to the humanist ideological
scheme.
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Hidden
in the conceptual density of the problem—as irrational—is the moral premise
that cements the system; first justifying its policies of racial segregation
and military corporatism, in a vigilante society; More seriously, it provides a
founding myth by which the same order permeates the new system with its moral
determination. Blacks, in adoration of the imposing statues of Vesey and
Aponte, end up thanking the regime that erects them; without attending to their
own foundation, in that deed of the Seminoles, entertained by the moral grace
that still determines them in the emptiness of a myth.
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