In
fact, this greater ontological efficiency would not be proper or exclusively African,
but of every culture; even that western, whose entropy is only a process
accelerated by the crisis distorting it, as Modernity. The value here of
African culture is then relative to this entropic process, as an adequation of western
excesses; and by which that west culture could overcome its crisis, with a
contraction to its functional principles, in its restructuring.
Hence
the importance of organizing this understanding of that culture as a phenomenon,
allowing that adequation; even in the renewal of their substructures, so that
they can be functionally related to each other. In this regard, and as the
basis of this organization, there would be its religious substructure, in its
determination; since this what would provide the given understanding of
reality, as an existential practice, from the punctuality of the individual;
whose social projection —in the economy— would be that produced by the
political, as an expression then of this existential praxis.
This would have been the point of Hegel's absolutism,
only dependent on the hermeneutics of the idealist tradition; so it does not
manage to overcome its intrinsic transcendentalism, to which it subordinates the
immanence of the real. Mars goes to the origin of the term, defined as
"artificial" and linked to the Portuguese word for "spell"
(feitiço); and by which Africans would attribute supernatural powers to objects
of nature, which would thus animate them, in animism.
The
mistake is that the phenomenon is treated as an attribution of powers, rather
than a representation of these; which is how totemism works, in the
symbolization of the extrapositive phenomena in which the real is determined.
In this sense, the term is not erroneous —although its application is— alluding
to the establishment of a reality; which would be culture, as a reality as
human and not as in itself, responding to the concrete needs of the human.
This
false contradiction would be what Mars alludes to, criticizing that concept of
fetishism and religion by extension; when it states that "... it is not
shells, nor stones, nor the idol of carved wood, nor even animals, that the
African worships”. The understanding of the real that resolves the
religious then has this other consistency of culture, which is singular; and
again, this is what would have been denied with modern rational positivism, but
keeping its efficiency outside this hermeneutical framework.
This
distinction is important, because from here Mars will develop a kind of apology
for that religiosity; that by reducing it to the political, it will also
respond to its apparent (political) need, as a social phenomenon; rather than to
its epistemological consistency, for which it can effectively correct the onto-hermeneutical
excesses of Western philosophy. For this it is necessary to address this
sufficiency directly, even in the archaeology of their traditional practices;
which —as an update of those of their African origin— are ultimately the
effective way in which this adequation occurs.
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