As a category of
analysis, negritude described a Marxist-influenced movement of political and
literary elites; emerged in the Caribbean of the 30’s, with the purpose of
specifying the sociocultural and aesthetic identity of black tradition; against
the political positions of their colonial metropolis, with which they had a
relationship of dependence.
Léopold Sedar
Senghor defined blackness as "the
set of cultural values of black Africa"; while Aimé Césaire, defined
it as "the rejection of cultural assimilation", proposing the cultural
above the political". Years later, Césaire would retract this concept
because of its apparent racist connotations; as well as by the circumstances
that ruined the need for the movement, especially of that category of blackness.
Thus, in tight
synthesis, it opens the diapason of that spectrum of blackness, addressing
broader stages and spaces; which include other former colonies of Hispanic and
Anglo-Saxon descent, with only one mention of such emblematic cases as
SouthAfrica and Liberia. For this, he analyzes outstanding figures in various
fields such as military, political, academic, literary and journalistic; in
which we can find Morúa Delgado, Quintín Banderas, Juan Gualberto Gómez,
Evaristo Estenoz or Juan Gualberto Gómez.
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Granados
perceives himself as a Black, not a person of color or an Afro-descendant; And
it is elementary that he does not do it because of the banal argument of the
mere color of his skin. He is born into a family with an awareness of what it
means to be black, and why being black means a different existence; his mother,
the poet Georgina Herrera, was inspired by the black woman, and it about her it
was said that she walked with her race and poverty on her back; his father
Manuel Granados, a black novelist, was marginalized by Cuban cultural
authorities, because he was considered a "black mouthy and marginal". These harsh circumstances
influenced the author's thinking, and because of them he was born black and
lived conscious of being black and wrapped by blackness; marginal by vocation
and marginalized by racial origin, are the circumstances that traced his path
as a Renaissance and free man.
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In this way the
essayist, although not unaware of it, distances himself from black nationalism,
and uses concepts as "Afro-descendant" with moderation; and does not
use terms as "defensive racism," "exclusion of other races or
ethnicities", or "affirmative action". Finally, the suggestion
to the reader is to not only read the work but also studies it, and complements
it with other readings; the request to the author will be to extend his essays
to the phenomena of discrimination that occurred in southern Africa.
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