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Salkey's tale undoubtedly has a parabolic
and moral value, but that would be only its practical and minor aspect; logical
at the time when enlightened rationalization was rushing into its decadence,
from the vortex of its heyday. As of a divinity, Anancy's adventures explain
the processes in which the Self is existentially resolved; from which to
extract specific notes, to clarify also specific situations, but at the cost of
their greater scope.
In this one, Salkey recounts how Anancy is
betrayed by his spirit, which defeats him instigated by his enemies; from which
the advice of never fighting with oneself is extracted, for this is what
weakness consists of. Beyond this advice, Anancy could be prostrating the
complexity of existential determinations; that being of extrapositive value,
they would not be rationalizable, but no less true.
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In this sense, the translator's
reductive note would be pointing to the same process that impoverished culture;
from the arrogance of modern immanentism, reducing everything to the positive
aspect of reality; even when it refused to do so in the Germanic negativism,
which was only its renomination, just as reductive. In both cases, it was the
reduction of reality to its immanence, identified as positive or negative; but
ignoring in any case the transcendent aspect, from which its determinations
would come.
This explains the excesses of
the tradition of German Idealism, no less than those of French Rationalism; to
which it only replies, but incorporating in it its own formal determinations, as
its mere contradiction. From that fatality, incorporated with the Manichaean
Catholicism of San Agustín, is that we are saved this literature of the
Caribbean; infusing in the West the sufficiency of African ontology, with the
immense flow of its myths and cosmologies; no greater than those of the same
Western tradition, but still incorrupt because its contraction to the
reflective function of literature.
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From that morass is that we are rescued by
this Caribbean literature, recovering the reflexive function of art; that in
its access to the transcendent determinations of reality, offers back the understanding
of its ontology. This is what The New Black Thought is all about, in its
attempt to rescue this much-needed contraction in a singular philosophy; not
only by forming its critical body over that of early Black thought, but also —and
better— over its art.